Last edited by Mimi
Saturday, August 1, 2020 | History

6 edition of Poetics of self and form in Keats and Shelley found in the catalog.

Poetics of self and form in Keats and Shelley

Nietzschean subjectivity and genre

by Mark Sandy

  • 102 Want to read
  • 20 Currently reading

Published by Ashgate in Aldershot, Hants, England, Burlington, VT .
Written in English

    Subjects:
  • Keats, John, 1795-1821 -- Philosophy.,
  • Shelley, Percy Bysshe, 1792-1822 -- Philosophy.,
  • Nietzsche, Friedrich Wilhelm, 1844-1900.,
  • Literary form -- History -- 19th century.,
  • Subjectivity in literature.,
  • Self in literature.

  • Edition Notes

    StatementMark Sandy.
    SeriesThe nineteenth century series
    Classifications
    LC ClassificationsPR4838.P5 S25 2005
    The Physical Object
    Paginationxvii, 142 p. ;
    Number of Pages142
    ID Numbers
    Open LibraryOL3295947M
    ISBN 100754635791
    LC Control Number2004019136

    Coleridge, Shelley, Keats, and God: The Romantic Poetics of Doubt JAKE PORTER I am however young writing at random, straining at particles of light in the midst of a great darkness without knowing the bearing of any one assertion of any one opinion This is the very thing in which consists poetry. To read Keats, and especially to read Shelley, is to have lots of free time and to be able to muster, during that time, at will, immense funds of focus and concentration - these are not an easy read. Perhaps people were more used to reading poetry this dense and abstract two hundred years ago, but today, it requires a certain rare mood and a /5(5).

    The Keats-Shelley Memorial Association is pleased to announce the winners of ’s Keats-Shelley Writing Prize. This year’s theme is Songbird, which marks the composition years ago of PB Shelley’s To a Skylark and the publication in book form of John Keats. The very form of the ode-stanzas, composed as they are of inter-connected but ultimately self-contained units, contributes to enhance this effect of fluidity. This essay aims to explore how Keats’s poetics of dissolution are vital to some of his achievements as a poet.

    Addressing a gap in Shelley studies, Jessica K. Quillin explores the poet's lifelong interest in music. Quillin connects the trope of music with Shelley's larger formal aesthetic, political, and philosophical concerns, showing that music offers a new critical lens through which to view such familiar Shelleyan concerns as the status of the poetic, figural language, and the philosophical . Shelley Byron Keats poems, quotations and biography on Shelley Byron Keats poet page. Read all poems of Shelley Byron Keats and infos about Shelley Byron Keats.


Share this book
You might also like
Memoirs of the comtesse du Barry

Memoirs of the comtesse du Barry

The quartz crowned empress of the Sierras

The quartz crowned empress of the Sierras

Television engineering

Television engineering

Victorian Quilting

Victorian Quilting

Foundations of moral decisions

Foundations of moral decisions

Revolution of Hope

Revolution of Hope

Opinions and knowledge about high schools

Opinions and knowledge about high schools

Making 20th century science

Making 20th century science

Chloris andina

Chloris andina

Control engineering

Control engineering

The thrill of the chase

The thrill of the chase

Poetics of self and form in Keats and Shelley by Mark Sandy Download PDF EPUB FB2

Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of literary genres (including the romance, lyric, elegy and literary fragment) adopted by Keats and Shelley to explore their poetic treatment of self and by: 6.

Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley.

The study offers detailed close readings of a variety of literary genres (including the romance, lyric, elegy and literary fragment) adopted by Keats and Shelley to explore their poetic treatment of self and form. Get this from a library.

Poetics of self and form in Keats and Shelley: Nietzschean subjectivity and genre. [Mark Sandy] -- Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of literary.

Get this from a library. Poetics of self and form in Keats and Shelley: Nietzschean subjectivity and genre. [Mark Sandy] -- "Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of.

Books, Comics & Magazines > Non-Fiction. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab. Mark Sandy, Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and Genre (Aldershot and Burlington, VT: Ashgate, ), pp.

ISBN ; £45/$ (hb). David Higgins. 28 January Abstract. Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of literary genres (including the romance, lyric, elegy and literary fragment) adopted by Keats and Shelley to explore their poetic treatment of self and form.

Mark Sandy, Poetics of Self and Form in Keats and Shelley: Nietzschean Sub-jectivity and Genre (Aldershot and Burlington, VT: Ashgate, ), 60pp.

ISBN: ; £45/$ (hb). THIS BOOK USES NIETZSCHE’S WRITINGS to explore the treatment of the self as a fictional construct in the work of Keats and Shelley and, in turn, argues.

(email at @). Biography. My research interests are in Romanticism, especially the poetry and poetics of the period. I completed a monograph on Poetics of Self and Form in Keats and Shelley (Ashgate, ) and a second book-length study of Romanticism, Memory, and Mourning (Ashgate, ).

I plan to write a complementary study of. The poems of John Keats have traditionally been regarded as most resistant of all Romantic poetry to the concerns of history and politics. But critical trends have begun to overturn this assumption.

Keats and History brings together exciting work by British and American scholars, in thirteen essays which respond to interest in the historical dimensions of Keats's poems and.

Occasioned by the spirit of celebrating Keats's th birthday (31 October ), Jeffrey C. Robinson's Reception and Poetics in Keats offers at once a history and readings of the many praise and commemorative poems to or about Keats (collected in an appendix) from the time of his early death up to the present day and a consequent rethinking of Keats's own poems and poetics.

This book proposes a fresh and original interpretation of Keats' use of classical mythology in his verse. Dr Aske argues that classical antiquity appears to Keats as a supreme fiction, authoritative yet disconcerting, and his poems represent hard endeavours to come to terms with the influence of that fiction.

The major poems (most notably Endymion, Hyperion, the Ode on a Grecian Urn. It wasn’t the letter that Shelley sent Keats, care of Leigh Hunt, inviting him to Pisa, dated 27 July This arrived in the London post office on Aug went to Hunt’s Examiner offices on Friday Aug and then on Saturday to Keats, living with the Hunts at 13 Mortimer Terrace, at the edge of Kentishtown.

English literature - English literature - The later Romantics: Shelley, Keats, and Byron: The poets of the next generation shared their predecessors’ passion for liberty (now set in a new perspective by the Napoleonic Wars) and were in a position to learn from their experiments.

Percy Bysshe Shelley in particular was deeply interested in politics, coming early under the spell of the. Alastor, or The Spirit of Solitude is a poem by Percy Bysshe Shelley, written from 10 September to 14 December in in Bishopsgate, London and first published in The poem was without a title when Shelley passed it along to his contemporary and friend, Thomas Love poem is lines long.

Letter from John Keats discussing the calling of the poet, 10 May Letter from John Keats to Leigh Hunt, written while composing his first long poem Endymion, in which he discusses the role of the poet and muses on the works of Shakespeare, View images from this item (4).

The two poets treated in this chapter, Percy Bysshe Shelley and John Keats, have entered the cultural imagination as a fused type of the inspired Romantic poet who burns with self-consuming lyric ardour and dies young. Time meant Shelley and Keats to be allied, poetic incarnations of the same second-generation British Romantic Zeitgeist.

Jane Stabler offers the first full-scale examination of Byron's poetic form in relation to historical debates of his time. Responding to recent studies of publishing and audiences in the Romantic period, Stabler argues that Byron's poetics developed in response to contemporary cultural history and his reception by the English reading public.

Description: The Keats-Shelley Journal is published (in print form: ISSN ) annually by the Keats-Shelley Association of America.

It contains articles on John Keats, Percy Shelley, Mary Shelley, Lord Byron, Leigh Hunt, and their circles of mutual influence and context—as well as news and notes, book reviews, and a current bibliography. The following poems, poets, articles, poem guides, and recordings offer introductory samples of the Romantic era.

Included are the monumental Romantic poets often nicknamed “the Big Six”—the older generation of Blake, Wordsworth, and Coleridge and the so-called Young Romantics—Byron, Shelley, and Keats. The Young Romantics and Critical Opinion, Poetry of Byron, Shelley, and Keats as Seen by Their Contemporary Critics.

London: Harrap, Sandy, Mark “‘Stormy Visions’: Shelley’s Reinvention of Myth, Memory and Identity in Adonais”. The Keats-Shelley Review 14 () Shelley, Mary. The Poetical Works of Percy Bysshe. In his controversial work of criticism, Keats’s Boyish Imagination, scholar and poet John M.

Turley argues that John Keats, throughout his short poetic career, engaged in a boyish rebellion against the prevailing aesthetic, political, and sexual mores of his ’s argument is brilliant but flawed.

There are times when Turley’s critical eye penetrates Keats’s work so. A comprehensive study of the influence Spenser had on the forms, images, and style of the principal Romantic poets and how Spenserianism pervades not just their writings but also the subconscious thinking and spirit of the Romantic Spenser's tremendous popularity among the Romantics has always been recognized, but his role in their poetics has .